A tree can be many things for many people: beautiful or a nuisance, its wood low-grade or its grain profound. A sweetgum tree is all these things for me. This post will give you a tour through sweetgum's beauties and annoyances, including its surprising use as high-end wood paneling in the 1920s and 30s.
First, regard the beauty. What other tree offers such a panoply of colors in the fall? Yellows, reds, purples, orange--sweetgum does it all. True, those powerful colors are only generated by trees that receive adequate sunlight, but there is some wonderful, creative chemistry going on there. Carotenes, xanthophylls, anthocyanins--these are the words that exercise the tongue while stirring curiosity about the possible purpose behind all that color.At least near water, one natural check on sweetgum's rampancy is beavers, who apparently love them for their inner bark laden with sweet gum--the liquid amber found in its latin name, Liquidambar styraciflua. This photo was taken during a walk at Plainsboro Preserve ten years ago. The beavers' preference was so strong, and the sweetgums so numerous, that we saw no other species of tree being chewed upon.
The story of American gum wood dates back many centuries. Nature requires many years of favorable growth to produce a masterpiece, and in the vast stretches of our southland forests, extending from the Atlantic to the Mississippi valley and beyond, the quiet work of building cell and fibre was going on long before DeSoto and his valiant men first beheld in wonder the mighty "Father of Waters." What a marvel of creation, when from soil, moisture, and sunshine this fine wood came into being, now to be transformed by the hand of man into products that contribute to his well being and enjoyment.
Lumbermen have long known gumwood, yet vast tracts have been left standing while other interspersed hardwoods of widely varying species which happened to be wanted at the time, have been cut out.
The tree itself, as it displays its lofty and graceful symmetry, is one of the glories of our native forests. Its sturdy proportions are enhanced by masses of scarlet, orange, and yellow leaves, which change, as the summer wanes. In size, it is heroic; one hundred feet to one hundred fifty feet in height, with a diameter of four or five feet, is not unusual. And some idea of the extent of growth of this important tree may be gained from the fact that with the exception of the oaks, gumwood exceeds all other hardwoods.
Now no wood has more wonderfully interesting patterns than figured gumwood, but it is one of Nature's riddles to account for them. The pattern is not produced in the usual manner by quarter-sawing, although this process will improve any figure if it is already there. All one can say is that some trees have pronounced figured wood, others varying degrees of pattern, and many which show but slight indications of it. Undoubtedly the condition of the soil and the location of the individual tree affect in some mysterious way the structure of the wood. Only when the tree is felled, does the grain show itself as plain or figured. That is what makes the gumwood tree so interesting; it is like finding a }ewel, the value of which depends upon hidden qualities brought out by cutting and polishing.
The figure ramifies through the wood at random, obeying no known laws. Gumwood logs will each display differing patterns, some subdued, some intricate and ornate.
Europe has long recognized the exquisite beauty and texture of American gumwood. In fact, England, France, Italy, Spain, and other countries were first to recognize its fine working qualities. In America, however, its light was for a time hid under a bushel, so far as public acquaintance with its true worth is concerned. But now, due to growing appreciation of its merit, the valuable products of the gumwood tree stand forth proudly as "American gumwood,'* nothing else -so named, and so prized. The old adage, "a prophet is not without honor, save in his own country," no longer applies, if we may adjust this metaphor to a tree.
Here's a career move that musicians know well--a wood that needed to cultivate an audience abroad before it could be valued at home.













